Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson - Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson (LP, Album) (1987) [Used Vinyl]

$20.98 CAD
0 in stock
Description

***STOCK PHOTOS PICTURED. E-MAIL US AT INFO@HIGHNOTES.CA IF YOU WOULD LIKE ACTUAL PHOTOS OF THE ITEM***

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Comments:

Catalog #: 2310-927
Country:    US  
Released:  1987
Genre:       Jazz
Style:         Hard Bop, Post Bop

Tracklist:
A1. Stuffy 9:20
A2. This One's For Jaws 5:10
A3. Everything Happens To Me 4:20
A4. Broadway 5:10
B1. Slooo Drag 10:20
B2. What's New 4:30
B3. Satin Doll 7:30

Credits:
Alto Saxophone - Eddie "Cleanhead" Vinson
Bass - Dave Young (3)
Design - Sheldon Marks
Drums - Martin Drew
Engineer - Allen Sides
Guitar - Joe Pass
Mastered By - George Horn
Photography By - Phil Stern
Piano - Oscar Peterson
Producer, Design - Norman Granz
Trumpet - Harry Edison


Barcode and Other Identifiers:
Barcode 0 25218-0927-1 5
Matrix / Runout 2310-927 A1 GI (A)
Matrix / Runout 2310-927 B1 GI (A)

Companies:
Phonographic Copyright (p) Fantasy, Inc.
Recorded At Ocean Way Recording
Mastered At Fantasy Studios

Data provided by Discogs

Customer Reviews

Based on 104 reviews
88%
(92)
5%
(5)
6%
(6)
1%
(1)
0%
(0)
C
Chris Veit
Solid pressing

Wasn’t aware of this Japanese ECM. Great record and pressing. Thanks!

j
jonathan rojas
Great shape

Prestige condition I appreciate the swift delivery of this album

A
Andrew S
Deep Funk Bass Grooves

This album is filled with deep funk bass grooves from start to finish. The gatefold on this album is some serious eye candy.

A
Anthony Redford
Let's Go!!

Good early 2000's hip-hop album with a couple popular singles. Quality pressing, good condition and great price.

A
Andrew S
Old School Rocksteady Music!

This is a great example of fun and upbeat rocksteady music. The title track has some of my favourite lyrics:
"And We've got to live some life
And before we're old
And we've got to live some life
And before we're cold"

Album is produced by Lee "Scratch" Perry and some of the sounds have Perry's signature use of flange and reverb.

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